The main listening room is the same as last week, with the Audio Note Ongaku driving the Audio Note AN/E SEC Signature speakers, but with the Emm Labs CDSD / DCC2 SE digital as source replacing the Audio Aero Prestige, which has moved downstairs…

This room did experience a major amp shootout, more in the next post about that…

The showroom #4 is also the same, with the Kharma MP150 amps driving the Audio Note speakers, which at 98 dB are very eifficient… with the Audio Aero Capitole CD player / linestage as source, this system sounds really good. I’d like to hear any other digital amp, or most solid-state amps for that matter, do that.

Showroom 2 has seen lots of changes…

First we had the Emm Labs CD / SACD player with built-in linestage driving the Audio Note Kegons into the Kharma Mini Exquisite loudspeakers. THAT was nice…

The we moved the Meitner upstaitrs on to the Ongaku (can you say transparency? separation? purity albeit not as warm and enaging as the Audio Aero Prestige, but more convincing. So many flavors.) and did the front end with the Audio Note DAC 4.1x Balanced and CDT3 transport and M10 preamplifier.

Much more control and control and, uh, control. Everything was as it was supposed to be. Unfortunately, the 18 watt Kegons have found their first speaker that they just could not get the hang of - at loud volumes - and we’ve driven just about everything here with the Kegons except the soundlabs. The 18 watt Lamm ML2.1 also has problems with controlling the Kharma speakers at loud volumes. Based on what we have found, they really sound best, if you want them to go loud, with the Edge Signature One and Kharma’s own amps (the MP 150) if you want transparency and openness and control, and the Lamm ML1.1, a 90 watt push-pull tube amplifier, if you want tube musicality and openness and control.

We have yet to try the all powerful Ongaku at 25 watts on these though…. Maybe tomorrow?

For showroom 3, which is in the same room as showroom 2, we have…

The Soundlabs taking a break, but not the Marten Design Coltrane speakers, Lamm L2 preamp, LP2 phono stage and Brinkmann turntable / Titan cartridge. Audio Aero Prestige is performing digital source duties.

This is one of our favorite systems. However…

We had to position the Coltranes in front of the Soundlab U1. Impromtu but it seems to work pretty well. I mean, needs lots of trweaking - but we think it will work! The Coltranes like being close to the front wall, and the Soundlabs are kind of a wall…

Now Neli wants to move the Supremes over here on this side of the room [and in front of the Soundlabs!?] , as the dedicated circuits on the other side seem like they are picking up FM radio, secret transmissions from Mars, and other weirdness on several different systems that have lived down at that side of the room.

I now think it is ghosts.

But Neli, if her expression is any indicator, thinks otherwise.

… have seen us iterate through a lot of different systems…

Main room with Acoustic Zen Adagio and Audio Note AN-E SEC Signature speakers and Ongaku amplifier, driven by Audio Aero Capitole

Listening room 2 with Marten Coltrane Supreme loudspeakers driven by Audio Note Ongaku amplifier and EmmLabs digital front end.

A close up of the components. This is the whole system, these 4 components. Nice and tidy for a change…

However, though this system reached a level of musicality and approached the sound that we are looking for this system have - it was too bizarre having two preamps in the loop, the preamp in the Ongaku serving to try and match the SPLs of the midrange to that of the bass amplifiers. It worked, but…. We might try this again - but for now….

… we changed this, we now have the Lamm ML1.1 push-pull amplifers on the Supremes.

… which will chaneg for an audition tomorrow, assuming they can get up the driveway and up the stairs - which is not a given anymore with this Monther of all Winters the world has on its hands.

Back upstairs again, after the unphotograhed step with the Acoustic Zen Adagios being driven by the Audio Aero Capitole amplifier…

We got the Audio Note Ongaku amplifier driving the Audio Note AN-E SEC Signature speakers, with the Audio Aero Prestige as front end this time. We spread the speakers wider apart also, to see just how wide a soundstage we could get and possibly get some reinforcement from the nearby wall and horns

But in either position, the Audio Note speakers filled the room nicely. The midrange even approached the capability of the big horns to fill the room, and the bass - once the horns are gone we can try to position the little guys much closer to the wall - the bass is decent and satisfying but does not match the 4 x 10 inch woofers in a sealed cabinet… yet.

In fact, we will likely have 3 kinds of bass in this room: the big relaxed bass of the horns [no we will not mention their brand name - they can do their own marketing for a change], the ultra accurate and ultra powerful bass of the Marten Coltrane Supremes, and the very natural sounding, horn-like bass of the Audio Notes. How cool is that!!!

We’re going to have to post sometime about how it is not about what is ‘best’, but about is most ‘insidious’, and particulary, the number of ways it can be configured to be ‘insidious’. Insidious in that it produces a sound that gets into your head and just takes over.

The Audio Note U.K. Kegons amplifiers are on the Kharma Mini Exquisites, with the Lamm L2 preamplifier and Audio Note digital front end (and Audio Aero Capitole as well, in shootout formation). We then put the Kegons on top of HRS platforms, which is how it sits tonight.

Tomorrow we may get a chance to put the Mini Exquisite speakers over on the Supreme system in an all Audio Note configuration - with the Kegons to start, and Ongaku later if our snow shoveling arms hold out.

Finally, we have the system in listening room 3, area #4, with the little Audio Note speakers with the Kharma MP150 amps driving them, the Audio Aero Capitole serving as CD player and preamp.

Kind of a hodge podge system as we are in the process of breaking in the speakers - but it sounds darn good….! Neli likes it and her office is across the way. These are high-efficiency speakers and they reveal that the 1st watt of the Kharma amps is really quite good sounding, regardless of it being solid-state, digital in fact.

Everything is currently unplugged, of course, in response to last nights storm and the storm expected tonight…

But there have been a few changes in the last few weeks…

Acoustic Zen Adagio loudspeakers, driven by Audio Areo Capitole amp and Audio Aero Captole Reference CD player

Kharma Mini Exquisite loudspeakers (with Soundlab Ultimate 1 speakers looming in the background), Lamm ML1.1 amps, Lamm L2 Linestage and Emm Labs CD / SACD CDSD SE transport and DCC2 SE DAC

Closer… That is a HRS MXR equipment rack.

Marten Coltrane Supreme loudspeakers, Audio Note Kegon amplifiers, …

…Audio Note M10 linestage, Audio Note DAC 4.1x Balanced DAC and CDT3 transport. Walker Proscenium Gold Signature turntable. That is a Rix Rax Grand Hoodoo equipment rack.

Marten Design Coltrane loudspeakers, Lamm ML2.1 amplifiers, Audio Aero Prestige CD / SACD player and linestage, Brinkmann Balance turntable and Lamm LP2 phono preamplifier. Acoustic Dreams equipment rack.

By the wagons we got the Shunyata Anaconda Helix Alpha.

By the well we got the Elrod Signature 3.

and By the barn we got the Pranawire Satori.

OK. Ready. Set. Play!

The system we compared them on was the following: Kharma Mini Exquisite loudspeakers, Edge Signature One amps, Lamm L2 linestage, and EmmLabs DCC2 SE / CDSD SE CD / SACD front end. INDRA interconnect between the DCC2 and the L2, Valhalla between the L2 and amps, and Jorma No. 1 between the amps and speakers.

We tried out all 3 power cables on the Edge Signature One amps.

1.

First up were the Shunyata Anaconda Helix Alpha (who win the award for the longest name). Usually we like the Shunyata Anaconda Helix Vx cords better than the Alpha cords on the Edge, and now was probably no exception, but the Vx cords were on the Audio Note M10 linestage power supplies on a different system… so…

We played the first track on Radiohead Amnesiac. My thought when it was all over was that nothing was going to beat this - the resolution and imaging and ‘techno feel’ was first rate. And I was right, as far as it went, that nothing did beat them in these categories - there are other categories however… always more categories…

Photo taken after the shootout. Here we see the power cables with the red label (Shunyata Anaconda Helix Alpha), the green label (Shunyata Pyython [sic, WordPress has a bug that does not allow this to be spelled correctly, since this is also the name of a computer language it is confusing the poor thing…] going to the Soundlab speakers - not in the shootout), gray label (Shunyata Anaconda Alpha that were powering the Emmlabs), the silver-braid shielded power cords are the Pranawire Satori, and the big (but not as big as their brothers!) Elrod Signature 3 power cords. Oh, and the cords that look like red and blue stripes is the Valhalla going to the Lamm L2 linestage.

We also played Mark Knopfler’s Sailing to Philidelphia - first two tracks. [Pick this up if you like Mark Knopfler and high-quality music and sound - we’ve had many people who wrote the name of this CD down after hearing it here].

On the first track, Mark plays several licks that are up front and can be biting unless there is a lot of support from the system in terms of not just resolution, but harmonic integrity - the notes have to swell just right or they rise too fast and sound ‘bright’. It is in this respect that we prefer the Shunyata Vx cords on these amps - they handle the notes in a more relaxed, organic manner that seems to fit most of the music better.

2.

Next volley was heard from the Pranawire Satori. Pranawire has a trademark sound that is, what we call ‘psychedelic’ [or acid-like …including flash-backs] (and the Jorma Design Prime cable has some of this too, but in a different context, as do the Kharma loudspeakers). This sound is very very engaging - somewhat like 2A3 tubes in a good amplifier in that it is very subtle yet readily recognizable. Which is to say it does NOT distort the sound in order to entertain the listener in some kind of gross way by catering to the common human weakenesses for syrupy or euphonic sound.

It is a sound that is hard to describe - it is like adding ‘life’ to the music, or ‘color’ where there was none before but we were colorblind and did not know it. Anyway, with the power cords on the amps we heard this ‘effect’, which we have heard in their top-of-the-line cosmos speaker cable, but not so much in their cosmos interconnect. YMMV.

As for the sound, per se, solidity in the soundstage was better than the Shunyata for various instruments, accompanied by a reduction in resolution and - if I remember correctly (Neli is at the gym) a reduction in mircodynamics and air but an increase in the ability to swell dynamics from one state to another.

In many ways this was similar to going from solid-state to tubes - it is a tradeoff and depending on you and your system, you may or may not like it. I liked it, and certainly from the point of view of being a system builder: now I could add this ’sound’ without having to deal with the somewhat large Cosmos speaker cable - which had some other side-effects - or having to swap out amps of source components or anything. I.E. swapping powercords for for the listener [who might be us!] who wants something a little more engaging (albeit a little less real) at the moment is now as easy as switching a power cord or two.

Radiohead’s voice and Khopfler’s guitar were all wonderously colorful and alive - there was however some reticience in the transition from one note to the next which we interpreted as probably resulting from these powercords being not quite burned in yet. [If you have been following the Blog lately, you might understand how we are growing impatient waiting for things to finish breaking in around here… ]

3.

The Elrod mosey’s in with the shotgun.

The sound of these was surprising to me … more detail (though not quite as much as the Shunyata Alpha) and much more separation - the soundstage really cleared up. The solidity was about the same as the Pranawire (the Anaconda Alpha had better pinpoint imaging than either - but it was not as 3D or ’solid’). The Shunyata Anaconda Helix Vx has been our reference on these amps - and will continue to be so as it has performed well in 100s of system configurations we have set up - but the Elrod Signature 3, which we are learning more and more about, did much of what *we* like in a system, which is walk that fine, fine edge between real and musical. It entertained our minds, fooled our minds, and warmed our hearts (though that last not quite as aggressively as the Satori )

4.

As a final test, we replaced both the powercords that were powering the Emmlabs transport and DAC with the Satori, they were what I think are from the photos Anaconda Vx (not the new Helix) . Could we hear the Pranawire effect even with the cords on a low current device like the digital front end?

The asnswer was yes, but it was only about between 15 and 25% of the effect it had when on the amps, in my estimation. It also clouded up the soundstage some,,, I think. It was weird. Maybe I was too tired at this point. Instruments and voices just sort of appeared in the soundstage, solid, but then faded from view somehow. It someway this was much more REAL than anything I have heard before in terms of what happens when a musician plays something then stops for a few moments. Or it was totally wacky and unnatural as the msucians did not seem to be in the same universe - much less in the same studio - but who knows, maybe they weren’t.

Anyway, more experiemtation is needed with mix and matching of these cords together in various systems.

Finale.

Acrolink burning in on the Winter burn-in device

So. We didn’t get to hear from the Shunyata Anaconda Helix Vx, nor from the Valhalla (which is on the Lamm L2 in this shootout - but we do not usually put it on the Edge, but in a shootout, ANYthing can happen ), nor the Acrolink 7N power cords (which in some ways are the ultimate powercord, having both most intensly detailed resolution we have heard in a PC along with an even handed approach to harmonic body).

The gym was closed so….

Moved seven 60 lb or so HRS platforms, two 120 lb Edge Signature One amps, two 90 lb Lamm ML2.1 and two 90 lb. ML1.1 amps, two 20 lb. M10 Galahad power supplies downstairs… but it seemed like a lot more.

The Showroom 2 Coltrane Supreme system

The Audio Note equipment that was upstairs is now on this system: CDT-Three transport running into a DAC 4.1x Balanced into the M10 linestage into the Kegon 300B SET amps.

The Showroom 2 Coltrane Supreme system equipment rack

The Showroom 4 Coltrane / Lamm / Brinkmann system

We are pretty familiar with this system - but not in a small room like this. Also would prefer it on an HRS MXR rack but, oh well, this is Thanksgiving, not Christmas, and we are happily trying to figure out what to play on what system as we roll from room to room after yesterday’s feast (after which Neli is still very fit and thin - but Mike? Mike thought he would never need to eat again, … at least until breakfast anyway ).

The Showroom 3 Soundlab / Kharma system

OK, it was getting close to (past) time to eat so we didn’t get this setup yet. After dinner tummy sizes were interfering with the ability to move…

We plan on using this system to hear the Emm Labs running direct into the Edge Signature One amps into the Kharma Mini Exquisites - we haven’t heard this before.

Old location of Showroom 1 equipment rack

Oh, and we moved a bookcase full of CDs upstairs. This was piled sky high with CDs and DVDs in front of the Coltrane Supreme loudspeakers. Now it is upstairs where the old Showroom 1 Rix Rax equipment rack used to go (although it only had the Emm Labs CDSD transport on it, connected by 10 meter long optical cables to its DCC2 DAC in the front of the room).

Where will the little Rix Rax equipment rack that was here go now? Geez, it is always somethin’….

… also breaking in.

Showroom (show area) 3 now has thge Soundlab Ultimate 1 electrostatic loudspeakers as permanent residents and the Acoustic Zen Adagio as guests.

Neli tells me there are a number of people who want to hear the Adagio’s in a larger room, so here they are for now. We still have to fuss with the positioning… and they might even end up against the long wall where we can, because they are front ported, try putting them from very close to the wall to out in the middle of the room.

The Soundlab U1 really, really sounds nice in this system. Yeah, it is an expensive front end - let’s see, about $130K for a $32K speaker - but it makes that system sound quality on a par with some of the best systems we have heard, bar none. Not just in coherence and detail, which the Soundlabs always have, but involvement and suspense and emotionalty and naturalness. Magic? Can’t tell yet, with the show and all this breaking in we haven’t got a chance to just live with it for any length of time yet. It was the introduction of the M10 that really put this over the top.. and we found this out by accident, if you will remember, when we were just trying to break in the M10 at high gain (volumes) and so put it on the hard-to-drive Soundlabs.

The equipment rack for Showroom 3. We have the Emmlabs CDSD SE transport in front, Edge Signature One amps behind it, and on the HRS MXR equipment rack the Audio Note M10 preamp and its two large Galahad power supplies and the Emmlabs DCC2 SE DAC. Lots of Shunyata Anaconda power cords, Jorma Design No. 1 speaker cable, and Nordost Valhalla interconnects - and I think we have a Jorma ‘Prime’ interconnect in here too.

The equipment rack for Showroom 3. One of the Galahad power supplies is on the top whelf - it was the only way we could get 4 things on the MXR rack given that one of those things HAD to be the M10 (for the reasons of curiosity and because we didn’t want to have to step over those big boys every time we wanted to put a CD in the transport).

[No, your eyes do not deceive you, the Edge amps are indeed on the floor. One, they do not sound so bad there, this is not the first time they have visited the carpet. Second, we really do not have enough HRS M3 Isolation Bases to go around - we know we need them, we know we want them, we know we will get them, but for right now… it is on the carpet they go]

As far as how the Adagios are sounding at this point in their breakin process…. see next post.

… but tomorrow’s systems configuration may not be the same as today’s configurations.

Acapella Triolon Excalibur loudspeakers, Edge Reference amps, Audio Aero Prestige CD / SACD player / linestage.

In a few months the Marten Design Coltrane Supreme loudspeaker system will be moved here. But for now we get to learn about how the Supremes sound in a mostly enclosed room with a 8 foot ceiling.

Marten Coltrane Supreme loudspeakers, Lamm ML2.1 amps, Lamm L2 preamp and Audio Note CDT Three transprt and 4.1x Balanced DAC.

Eventually, this is where the Marten Coltrane and larger Kharma loudspeakers will live.

Soundlab Ultimate loudspeakers, Edge Signature One amps, Audio Note M10 preamp, Emmlabs Signature Edtions CDSD transport and DCC2 DAC.

The Soundlab Ultimate loudspeakers will live here for awhile. It is good to put these big guys somewhere where they do not block the Winter-time sun. They kick butt being driven by the Audio Note M10 preamp in this system at this time, but then again, so does everything else.

The Acoustic Zen Adagio speakers are here getting ready for a number of auditions for people who want to hear them in a large room. Wish we had another room here - and we are trying to think of ways….

Marten Coltrane loudspeakers , Audio Note Kegonn amps, Audio Aero Capitole CD player / linestage

The Marten Coltrane loudspeakers are here for both us and customers who want to hear how they do in a small 10.5 x 20 x 9 foot tall room. This is where the Audio Note speakers, smaller Kharma and Marten speakers and Adagio will live.

We appologize that it is taking us so long to get up and running (and finish the show report). We’ve had a few industry reps over (we don’t care if THEY don’t get the full impact of hearing all four of our systems running on all cylindars - the Acapella Triolon speaker, Edge reference ‘pyramid’ amp and Audio Aero Prestige CD / SACD player system IS, however, up and running), but, well, here is Mike & Neli’s October exercise program:

Step One: carry 2000 lbs of equipment down the stairs
Step Two: carry 3000 lbs of equipment up the stairs
Step Three: survive step one and step two

Listening room number three’s mess

Listening room number two South side mess.

Look Ma, no TV! Yes, it is true, no video with high-end audio for Mike until we get a front projector (90% chance it will be the Sony Ruby).

This is where the Marten Coltrane Supremes will go. You can’t tell it from this picture, but the view out the windows is very nice - the same view as our main room, but a little more intimate because it is closer to the ground and the trees block more of the view.

Putting the Coltane Supreme loudspeakers here will allow us to learn about how to setup these puppies in a more-or-less reasonably sized room (15 x 27 x 8 feet tall). The SoundLab Ultimate loudspeakers you see here are going to be moved to the North side of listening room #2.

Listening room number two’s North side mess. These crates are the crates for the Coltrane Supremes. Yay, we got them up the 30+ steps up from the garage to this lower level - and by just the two of us (with an extra push from an industry rep who shall remain namesless for the time being - it was great seeing you guys!).

Now comes the hard part, picking which racks to put where and which components to set things up with initially.

I want to put the double-wide RixRax here on the North side, but instead of in the normal configuration (which would trap a lot of space behind the rack because it is a doublewide and the wall is shapped like the end of a octagon) I want to position it so that it sticks out into the room - so that there is easy access to both the front (i.e. what would not be the left side) and the back (which would now be the right side). But Neli thinks I am crazy - especially now that I have proposed this non-standard orientation for the rack.

Anyone else think this is a good idea? All of you who do not post an opinion, I will try and convince Neli that you all think it is a good idea too……

…..yeah, I know, she won’t believe me even for a second…

As of last night, the proposed allocation of components to speakers goes like this:

Coltrane Supremes:
—————————
Audio Note CDT Three transport and DAC 4.1x Balanced
Lamm L2 linestage
Lamm LP2 phono stage
Walker Proscenium Gold Signature turntable
Lamm ML2.1 amplifiers
[This system sounded so AWESOME on the smaller Coltrane loudspeakers - we are hoping this awesomeness transfers to the big boys].

Soundlab Ultimate 1 (with guest stars: the Kharma Mini Exquisites and Acoustic Zen Adagio loudspekaers)
—————————
Emmlabs CDSD Signature transport and DCC2 Signature DAC digital source
Audio Note M10 preamplifier
Edge Signature One amplifiers

[We used this system to break in the M10, but it sounded so wonderful - the Soundlabs really sounding organic and warm enough to compete with speakers costing a heckuva lot more than the $31K that these go for].

Audio Note AN/E SEC Silver Signature (with guest star the Marten Coltrane loudspeakers):
————————————————-

Brinkmann Balance turntable
Audio Note M8 full-function preamp
Audio Aero Capitole CD player
Audio Note Kegon amplifiers

[We want to try a turntable on the Audio Note spekaers and we want to hear how the Coltranes sound in this small, 10.5 x 20 x 9 feet tall room]

Of course, all this could change today as we move stuff around.

or “Round ‘em up, Head ‘em out”

or “We’re just going to pieces”

or “Break in Two Systems, Two Systems, Two Systems in one”

Breaking in Sound Lab Ultimate loudspeakers and Audio Note M10 preamplifier together - using the EDGE Signature One amps and Audio Aero Capitole CD player driving them over on the floor to the right [Oh, you can’t see it in this picture, but you can see the Nordost Valhalla interconnects snaking across the floor there].

This is all just a temporary setup. We are breaking in each notch on the M10 volume control. We got up to ‘5′ yesterday, but that was driving the little Kegons pretty hard - and the Coltranes were getting pretty loud.

But over here, on the still somewhat inefficient Sound Lab speakers - with a solid state amp… we are doing ‘6′ today and will do notch ‘7′ tomorrow. That ’should’ be enough, the Marten Coltrane Supremes (which made it through customs, yay!) are much more efficient than even the Coltranes, so notch ‘7′ should be plenty loud enough for the show…?

Every time we up the volume a notch, the M10 sound is bright and annoying for several hours and the pre lets off another waft of New Electronic Component Smell [Yummmmmm. Is this the only reason we buy TVs and computers and $50K preamps, to be able to experience this smell? Nahhhhhh].

This M10 + Sound Lab speaker-centered system sounds surprisingly good. The Sound Labs really like upstream equipment that errs on the warm side (as opposed to the more icey Parasound or Pass Labs soild-state amps, the former is usually shown witht eh SoundLabs at CES and the latter is to be at this RMAF show in the IsoMike room), and even warmish cables help - like the Pranawire Cosmos speaker cables.

The latest Sound Lab upgrade did seem to tighten the bass quite a bit and increase the midrange dynamics as well - adding perhaps 3dB? of efficiency. Still breaking in, but I noticed that the unfamiliar bluring of images in the soundstage that I heard when we first starting playing the SoundLabs after their upgrade has almost completely gone away.

The old Marten Coltrane system, going to pieces Time to box up most of this system, and move the Marten Design Coltrane loudspeakers to listening room 3. The Sound Labs are going to go over here, next, after the show - and how we get around them when we go up and down the steps is still to be determined.

The current state of listening room 3. Most of the system proper is going to the show, including the Acoustic Dreams rack.

We want to put the Marten Coltranes in here after the show - but they sound best with the Lamm ML2.1 amps and the HRS MXR rack. But the Kharma Mini Exquisites sound best with the EDGE amps… it will be hard to build a system that is optimized for two different speakers like this… not to mention the Acoustic Zen Adagio speakers.

And then there is the HRS MXR equipment rack problem, or rather lack of problem: we want a double wide on the Coltrane Supreme speaker system in listening room #2,and another one upstairs so we can play a turntable in listening room #1 (it is the only thing that will work on our very bouncy floor) - but we currently only have one rack….

So little time (and money) and such a long Wish List.

… but with components instead of people and equipment racks instead of chairs…. and the music starts instead of stops when it is all over…

In this case we swapped the Audio Note CDT-3 transport and DAC 4.1x Balanced DAC (with the Lamm L2 preamplifier) withn the Audio Aero Prestige CD / SACD / Premaplifier.

The Marten Design Coltrane system with the Audio Aero Prestige CD / SACD player as source. Lamm ML2.1 amplifiers on HRS Isolation Bases.

A lot of empty shelves on that HRS MXR rack…. THAT situation can’t last for long

I can’t help thinking of the Audio Aero as young and energetic and full of enthusiasm - at least in comparision with the Audio Note digital. HRS MXR equipment rack. Swapping back and forth between the El-rod and Shunyata power cords.

The Audio Note system with the Audio Note as source and Lamm L2 preamp as source. Lamm ML1.1 amplifier on Acoustic Dreams amplifier stands. Acoustic Dreams equipment rack.

The $20K (plus the $14K Lamm L2 preamp) Audio Note is more refined, and well-balanced in comparsion with the $13K Audio Aero…

Kind of the opposite of the speakers… Where the Coltrane is more refined and well-balanced in comparison with the very musical and very energetic Audio Note speakers.

We try to both strive for a balanced system as well as take advantage of each components strengths… which is a lot easier said than done….