SHOW REPORT

Part 8

Floor 4

Home Entertainment Show

The Stereophile High-end Audio Show
Los Angeles, California

June 1st-4th, 2006

* Denotes a product carried by Audio Federation
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Guide

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 The NEAT, Chord, Exposure, Kubala-Sosna room
 

 If the goal of this system is produce a nice, balanced sound, with a little Sophistication, a little Enjoyable, and little Emotionality, then this system is a success. It probably even gets a little Impressive if you turn it up.

More NEAT, Chord, Exposure, Kubala-Sosna room pictures.

 

 

 

 

 NEAT loudspeaker

 

 

 

 

 

 

 

 

 

 Chord CPA 4000 Preamplifier

 

 

 

 We did not get to hear the second NEAT / Chord system.

 

 

 

 

 

 

 

 

 

 Chord CPM 3300 integrated amplifier

 

 

 

 

 Chord CPM 3300 integrated amplifier

 

 

 

 

 NEAT loudspeaker

 

 

 

 

 NEAT loudspeaker

 

 

 

 

 Chord electronics display.

 

 

 

 

 Chord CD player

 

 

 

 

 Chord electronics display

 

 

 

 

 The main system.

 

 

 

 Chord electronics display.

 

 

 

 

 Chord electronics display.

 

 

 

 

 Chord electronics display.

 

 

 

 

 Chord electronics display.

 

 

 

 The Von Gaylord room
 

 The Von Gaylord system with their oil-cooled amplifiers and loudspeakers did not sound as interesting as it did in Las Vegas at CES 2006. Constrined and over damped, with little micro-dynamics or midi-dynamics, came off as kind of dull sounding to this listener.

More Von Gaylord room pictures.

 

 

 

 

 Von Gaylor loudspeaker.

 

 

 

 

 Von Gaylord amplifier.

 

 

 

 

 

 Von Gaylord CD player and preamplifier.

 

 

 

 

 Von Gaylord loudspeakers.

 

 

 

 

 Von Gaylord preamplifier

 

 

 

 Von Gaylord.

 

 

 

 

 Von Gaylord amplifiers.

 

 

 

 

 Von Gaylord Starlet

 

 

 

 

 Von Gaylord

 

 

 

 

 Von Gaylord UNI amplifier.

 

 

 

 The Bolzano Villetri SRL, Muse, Copland, Pioneer, Denon room
 

 This unique looking, highly lacquered system was also going for the 5.1 surround sound thang, though only apparently playing two channels. Perhaps exhibitors were prepared to go Audio / Visual or two-channel and only decided at the show in some kind of 100 monkey type of learned behavior to stick to two channel. Or maybe they had a meeting, I don't know.

We kind of had our eye on this company since their debut at CES 2006. Anyway, this listener was disappointed that this system did not provide any of the necessary ingredients this listener looks for in a music reproduction system. It was also somewhat unbalanced both in the frequency and dynamic domains.

More Bolzano Villetri SRL, Muse, Copland, Pioneer, Denon room pictures.

 

 

 

 

 Bolzano Villetri SRL loudspeaker

 

 

 

 

 

 Bolzano Villetri SRL loudspeaker

 

 

 

 

 Bolzano Villetri SRL loudspeaker

 

 

 

 

 Bolzano Villetri SRL center-channel loudspeaker

 

 

 

 Bolzano Villetri SRL loudspeaker close-up

 

 

 

 

 Bolzano Villetri SRL center-channel loudspeaker

 

 

 

 

 The equipment rack.

 

 

 

 

 Another Muse CD player.

 

 

 

 

 Muse amplifier.

 

 

 

 

 Copland CD player

 

 

 

 

 Stack of mass market home theater electronics

 

 

 

 

 The Hyperion, Sony room
 

 The all Hyperion system plus Sony SCD-1 player sounded decent. The way I interpret the goal of this system is as a stab at an inexpensive Sophisticated system, a way for someone to get a hi-fi sound at a reasonable, to some people, price. In this I think they succeed. Although there are as few frequencies that 'need work' in terms of being either offensive or AWOL, this system can also be Enjoyable with the right upstream components. Just not sure that Hyperion components, nor that SCD-1 player, are the right ones for this.

More Hyperion, Sony room pictures.

 

 

 

 

 Hyperion loudspeaker.

 

 

 

 

 Equipment rack of mostly Hyperion electronics.

 

 

 

 Hyperion tube amplifier.

 

 

 

 

 Hyperion tube amplifier.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 Hyperion preamplifier.

 

 

 

 

 Hyperion loudspeaker. That reflection of a light-bulb is weird, huh?

 

 

 

 

 Rear of the Hyperion loudspeaker that looks a lot like a Wilson Audio Watt/Puppy loudspeaker.

 

 

 

 

 

 Hyperion loudspeaker

 

 

 Zu Audio, Manley, ModWright, Audio Pax, Luxman
 

 We spent some time here, having one customer who bought these and hated them and of course on the other side all the positive raves [irony intended] on 6moons. We also go to hear the smaller Zu Audio loudspeakers, in the other system below, at the Zu Audio-sponsored Rave at HE 2006. We had them play Radiohead's "Kid A" LP, our Radiohead test CD being left at home by, oh.......let's juts say: someone-not-me.  :-)

[They had the speaker bass sections wired out of phase in order to address certain room resonance issues - but we are rarely over-critical of bass performance from ordinary sized speakers at shows - so this was no problem for us].

In my estimation, the goal of this system was to sound Enjoyable. The Zu Audio loudspeakers also try to address being Impressive by paying attention to the bass (as opposed to resolution) for the younger crowd who, like most newcomers to our hobby who are not women, want and expect from their system.

The system did sound Enjoyable and so I think they obtained their main goal. Radiohead can be an amazingly difficult type of music to 'get right' and it did reveal the lack of ultimate detail and resolution of this system, as well as a somewhat wacky, but not totally Don Knots-like, frequency response.

So, the goals would seem to be Enoyability first, Impressiveness second and Realism later. The corresponds with Srajan's stated opinion, a prime champion of Zu Audio at 6moons, that Realism can't be achieved, so why bother - get something that is pleasing and be done with it. Me, I do not want my system to be a musical instrument itself, I want it to be a transparent conduit for the musical instruments on the source material. It is important for me to 'suspend disbelief' that there are actually musicians in front of me and that this is really the sound that they indented me to hear. Oops, getting off track here....

Comparing this to the Acoustic Zen Adagio loudspeaker: The Adagio approach, in my interpretation, at less than half of these speakers, is going for Realism first and foremost, Enjoyability second and Impressiveness 3rd - though it can be quite impressive in a hotel-sized room, as we heard at this show. The Kharma* 3.1c, more or less the same price category as the Zu Definition speakers above, is going for and achieves Realism, Emotionality and Enjoyability, but only then thinks [sic] about bring Impressive.

It is up to the listener to choose what they wa